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The (Re)imagined Shades of Alice Gray: The Counter-Memory of a Woman-as-Witch in Stacey Halls’ The Familiars (2019)

dc.contributor.authorGonçalves, Inês Tadeu Freitas
dc.date.accessioned2024-10-04T10:33:30Z
dc.date.available2024-10-04T10:33:30Z
dc.date.issued2024
dc.description.abstractHistorical fiction is a way of dealing with painful pasts and traumatic events as counter-memories. Long-forgotten events are (re)created in a safe space in historical fiction. Set in seventeenth-century Lancashire, in her modern historical fiction The Fa miliars (2019), Stacey Halls narrates Alice Gray‟s painful past as a woman-as-witch into existence. Halls achieves it by (re)imagining Alice Gray‟s plight within the historical context of the Pendle Hill witch-hunt in 1612 Lancashire. Not only does Halls give Alice her historical voice back, but she sets the historical record straight by counter-memorialising Alice Gray as a woman-as-witch, i.e., a seventeenth-century woman othered and presumed to practise witchcraft, in this instance, merely for being an impoverished unmarried woman and a midwife. In this way, Halls‟s narrative invites us to empathise with Alice‟s plight, to understand the injustices she faced, and to appreciate her resilience. Besides, (re)creating Alice‟s witchcraft story, Halls fleshes out her heart-wrenching emotional turmoil. Moving away from the cold historical recorded facts, Halls interweaves Alice‟s troubled personal past as an abused young woman and a grieving and loving stepmother with the unfortunate contemporary events of the Pendle Hill witch hunt. As a result, we are offered a more than plausible (re)imagined rationale for Alice‟s witch hunt predicament and acquittal, which cannot be found or is even hinted at in the historical records. Thus, Halls culturally endows Alice‟s seventeenth-century marginalised historical counterpart with a contemporary gender-empowered mnemonic (re)imagined counter-memory. Moreover, Hall‟s active remembering of Alice Gray politically (re)contextualises and (re)frames this woman-as-witch of the Pendle Hill witch hunt of 1612 previously wanting. Also, the (re)imagined counter-memory of Alice Gray challenges the dominant historical narrative and underscores historical fiction‟s power in reshaping our understanding of the past. Ultimately, Halls endears and humanises this woman-as-witch of Pendle Hill and provides us with the many shades of Alice Gray.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.11648/j.ellc.20240904.15pt_PT
dc.identifier.urihttp://hdl.handle.net/10400.13/5850
dc.language.isoengpt_PT
dc.publisherScience Publishing Grouppt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectCounter-Memorypt_PT
dc.subjectMnemonic (Re)imaginationpt_PT
dc.subjectHistorical fictionpt_PT
dc.subjectThe Woman-as-Witchpt_PT
dc.subjectThe Pendle Hill Witch-Hunt of 1612pt_PT
dc.subjectSeventeenth-Century English Witchcraftpt_PT
dc.subject.pt_PT
dc.subjectFaculdade de Artes e Humanidadespt_PT
dc.titleThe (Re)imagined Shades of Alice Gray: The Counter-Memory of a Woman-as-Witch in Stacey Halls’ The Familiars (2019)pt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage137pt_PT
oaire.citation.issue4pt_PT
oaire.citation.startPage132pt_PT
oaire.citation.titleEnglish Language, Literature & Culturept_PT
oaire.citation.volume9pt_PT
person.familyNameFreitas Gonçalves
person.givenNameInês Tadeu
person.identifier.ciencia-id1519-E060-F7DA
person.identifier.orcid0000-0002-5504-9157
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublicationdf59788c-a285-4d40-99c6-fa95630c284e
relation.isAuthorOfPublication.latestForDiscoverydf59788c-a285-4d40-99c6-fa95630c284e

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