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Publication
Filme de família: cinema, memórias e identidades
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Advisor(s)
Abstract(s)
No curta-metragem A gente se encontra aos domingos1
(2021), dirigido pela
própria autora, histórias ordinárias são atravessadas por questões sociais, relações
familiares e lugares; características comuns ao cinema brasileiro. Em um diálogo
intimista, em que as esferas privada e pública são interseccionadas, relatos de
experiências cinematográficas se unem às memórias pessoais e coletivas, enquadrando
lembranças constituintes da família da própria diretora. O artigo intenciona dialogar,
através dos discursos presentes no curta-metragem, com a noção de “lugares de
memória”, do historiador Pierre Nora (1993), juntamente com a articulação da teoria do
“espaço e lugar na perspectiva da experiência”, do geógrafo Yi-Fu Tuan, (1983),
passando pela “partilha do sensível”, de Jacques Rancière (2005), para desaguar nos
fragmentos da infância de Walter Benjamin (1987) e na relação entre memória e
identidade, de Joël Candau (2011).
In the short movie “A gente se encontra ao domingos” (We Meet each other on Sundays, 2021), directed by the author herself, ordinary stories are crossed by social matters, family relations, and the feeling of belonging to different places; common issues of the Brazilian Cinema. Through an intimate dialogue, tales of personal cinematographic experiences gather into memories and remembrances that depict the familiar background of the director. The paper proposes a discussion through the discourses presented in the short movie, combining it with the idea of “places of memory” by the historian Pierre Nora (1993), along with the theory of “space and place in a perspective of experience” as defined by the geographer Yi-Fu Tuan (1983). The text also calls upon the notion of “distributions of the sensible” by Jacques Rancière (2005), passing through Walter Benjamin's childhood fragments (1987) and some relations between memory and identity proposed by Joël Candau (2011).
In the short movie “A gente se encontra ao domingos” (We Meet each other on Sundays, 2021), directed by the author herself, ordinary stories are crossed by social matters, family relations, and the feeling of belonging to different places; common issues of the Brazilian Cinema. Through an intimate dialogue, tales of personal cinematographic experiences gather into memories and remembrances that depict the familiar background of the director. The paper proposes a discussion through the discourses presented in the short movie, combining it with the idea of “places of memory” by the historian Pierre Nora (1993), along with the theory of “space and place in a perspective of experience” as defined by the geographer Yi-Fu Tuan (1983). The text also calls upon the notion of “distributions of the sensible” by Jacques Rancière (2005), passing through Walter Benjamin's childhood fragments (1987) and some relations between memory and identity proposed by Joël Candau (2011).
Description
Keywords
Cinema Documentário Identidade Memória Documentary Identity Memory . Faculdade de Artes e Humanidades
Citation
Pereira, I.M., & Gervilla, L.R. (2023). Filme de família: cinema, memórias e identidades. Cinema & Território, (8), 46–61. https://doi.org/10.34640/c&t8uma2023pereiragervilla
Publisher
Universidade da Madeira