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António Aragão entre linhas, cores e volumes
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Authors
Advisor(s)
Abstract(s)
Na primeira parte é apresentada,
diacronicamente, a produção de António Aragão
(1921-2008) na área das artes plásticas, percor rendo os seus principais trabalhos de desenho,
óleo, aguarela, laca, escultura, cerâmica ou cola gem e incluindo as incursões pela arte pública.
São referidos os géneros que abordou (retrato,
natureza-morta, costumes, paisagem e uma fi guração mais inventiva e livre) e a multiplicidade
dos seus interesses, tanto na diversidade de téc nicas como nas variações estilísticas, que podem
ir de aproximações ao neo-realismo, ao expressio nismo, ao abstraccionismo, ao gestualismo ou a
uma nova figuração de cunho neo-expressionista.
É mencionado ainda o eco das suas exposições
na imprensa local.
A segunda parte procura destacar nexos e li nhas de força do seu percurso, como as suas os cilações entre a ligação à ilha e o apelo do mundo
lá fora, entre a destruição e a construção no pro cesso criativo, entre o uso da palavra e o uso da
imagem, entre a manualidade/ materialidade e o
recurso à máquina, entre a atitude angustiada e
a veia satírica.
A terceira parte resume o papel das artes plás ticas no âmbito da sua multifacetada e dificilmen te categorizável produção artística, aludindo ao
carácter de síntese, mas também à fogosidade,
das suas últimas obras.
The fist part presents, diachronically, the artistic production of António Aragão (1921- 2008) in the field of visual arts, encompassing his main works of drawing, oil, watercolor, lacquer, sculpture, ceramics or collage and including his public art comissions. Portrait, still life, customs, landscape and a more inventive and free figura tion are mentioned, as well as the multiplicity of his interests, both in the diversity of genres and in the stylistic variations. He has been, in fact, in different moments, close to neo-realism, expres sionism, abstractionism, gesturalism and neo-ex pressionist figuration. Furthermore, this paper enumerates and analyzes the echo of his exhibi tions in the local press. The second part highlights the nexuses and the guiding lines of his journey, such as the oscilla tions between the connection to the island and the appeal of the outside world, between des truction and construction in the creative process, between words and images, between manuality/ materiality and the use of the machine, between the anguished attitude and the satirical vein. The third part summarizes the role of visual arts in the context of his multifaceted artistic pro duction, which is difficult to categorize. Moreover, it alludes to the character of synthesis, but also to the intensity of his latest works.
The fist part presents, diachronically, the artistic production of António Aragão (1921- 2008) in the field of visual arts, encompassing his main works of drawing, oil, watercolor, lacquer, sculpture, ceramics or collage and including his public art comissions. Portrait, still life, customs, landscape and a more inventive and free figura tion are mentioned, as well as the multiplicity of his interests, both in the diversity of genres and in the stylistic variations. He has been, in fact, in different moments, close to neo-realism, expres sionism, abstractionism, gesturalism and neo-ex pressionist figuration. Furthermore, this paper enumerates and analyzes the echo of his exhibi tions in the local press. The second part highlights the nexuses and the guiding lines of his journey, such as the oscilla tions between the connection to the island and the appeal of the outside world, between des truction and construction in the creative process, between words and images, between manuality/ materiality and the use of the machine, between the anguished attitude and the satirical vein. The third part summarizes the role of visual arts in the context of his multifaceted artistic pro duction, which is difficult to categorize. Moreover, it alludes to the character of synthesis, but also to the intensity of his latest works.
Description
Keywords
António Aragão Pintura Escultura Colagem Arte pública Figuração Abstracção Painting Sculpture Collage Public art Figuration Abstraction . Faculdade de Artes e Humanidades
Citation
Publisher
UMa-CIERL/CMF/IA