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Publication
Para a criação dum grupo de teatro da Universidade da Madeira
| Name: | Description: | Size: | Format: | |
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| 4.47 MB | Adobe PDF |
Abstract(s)
Este projeto apresenta-se, em primeira instância, como um desafio integrado na
constituição dos trabalhos com vista à concretização de um grupo de Teatro na Universidade
da Madeira. Na sua redação revisitámos o complexo universo cultural que, visível ou não,
tem alimentado o desenvolvimento dos grupos desta natureza, aferindo o seu contributo para
o panorama artístico - profissional. Uma viagem no tempo que procura materializar e
concretizar o legado do teatro académico e dos seus agentes.
Mas nem só de histórias vive o teatro. Aqui procuramos concretizar a sua
manifestação, dar-lhe o que o distingue de tudo o resto: vida. Os seus intérpretes exploram
elementos de linguagem teatral essenciais para a transmissão de um teatro envolvente e
credível, e assim, no nosso caso em concreto, pretendemos deixar um testemunho sólido da
sua materialização, para que o mesmo não promova uma falta de rigor estético no trabalho
do intérprete.
Concluímos com a análise do processo pedagógico e criativo que o coletivo
experimentou, analisando os dados observados em contexto de preparação técnica e
estabelecendo uma relação entre a manifestação individual de cada um com o grupo,
procurando uma resposta firme entre a individualidade, o quotidiano e a sua teatralidade.
Pretendemos demonstrar uma credibilização efetiva da arte de representar e a sua
associação direta à entidade e identidade cultural de cada um dos elementos deste grupo de
teatro. Com este contributo esperamos reforçar a importância que a Gestão Cultural tem na
formação científica e especialização dos públicos.
This project presents itself, in the frst instance, as an integrated challenge in the constitution of the works with a view to the implementation of a theater group at the University of Madeira. In its writing, we went back in time, to visit the complex cultural universe that, visible or not, has empowered the development of groups of this nature, assessing their contribution to the professional artistic landscape. A travel back in time that, seeks to materialize and concretize the legacy of the academic theater and its agents. But theater shall not live by stories. Here we try to materialise its manifestation, emphasize what distinguishes it from everything alse: life. Each performer explore elements of theatrical language, essential for the transmission of an involving and credible theater, and so, in our specific case, we intend to leave a solid testimony of its materalization, so that it does not promote a lack of aesthetic rigor in the performer’s work. We close with the analysis of the pedagogical and creative process that, the collective experienced, analysing the data observed in the context of technical preparation, and establishing a relationship between the individual manifestation of each one with the group, looking for a firm response between individuality, daily life and its theatricality. We intend to demonstrate an effective credibility of the art of acting and its direct association with the entity and cultural identity of each performer. With this contribution, we hope to reinforce the importance that Cultural Management has in scientific training and specialization of audiences.
This project presents itself, in the frst instance, as an integrated challenge in the constitution of the works with a view to the implementation of a theater group at the University of Madeira. In its writing, we went back in time, to visit the complex cultural universe that, visible or not, has empowered the development of groups of this nature, assessing their contribution to the professional artistic landscape. A travel back in time that, seeks to materialize and concretize the legacy of the academic theater and its agents. But theater shall not live by stories. Here we try to materialise its manifestation, emphasize what distinguishes it from everything alse: life. Each performer explore elements of theatrical language, essential for the transmission of an involving and credible theater, and so, in our specific case, we intend to leave a solid testimony of its materalization, so that it does not promote a lack of aesthetic rigor in the performer’s work. We close with the analysis of the pedagogical and creative process that, the collective experienced, analysing the data observed in the context of technical preparation, and establishing a relationship between the individual manifestation of each one with the group, looking for a firm response between individuality, daily life and its theatricality. We intend to demonstrate an effective credibility of the art of acting and its direct association with the entity and cultural identity of each performer. With this contribution, we hope to reinforce the importance that Cultural Management has in scientific training and specialization of audiences.
Description
Keywords
Teatro académico Intérprete Universidade Projeto Gestão cultural Theater Academic Performer University Project Cultural management Gestão Cultural . Faculdade de Artes e Humanidades