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Esta investigação, na área da literatura, centra-se no estudo de poemas dedicados
à Ilha da Madeira, escritos por poetas madeirenses do século XIX, publicados na
Antologia Flores da Madeira, coligida por José Leite Monteiro e Alfredo Cesar D’
Oliveira, no Funchal, em 1871. Partindo desta antologia de poesia, esta investigação
estabelece relações entre a poesia do século XIX e a identidade insular e procura encontrar
aspetos identitários e aspetos geográficos específicos nos poemas contemplados.
No primeiro capítulo, é apresentada a Madeira no século XIX, sendo feita uma
contextualização desse século na ilha. De seguida, são apresentadas as novas
conformações sociais na época e, por fim, é explicado como o simbolismo insular se
reflete na literatura madeirense. No segundo capítulo fixamos a nossa atenção na poesia
produzida na ilha, no século XIX, tendo em conta o ultrarromantismo madeirense e a
influência de Soares de Passos, um dos expoentes desse movimento, os principais poetas
ultrarromânticos madeirenses e a importância de antologias poéticas na Madeira no
século XIX, para a divulgação dos respetivos poetas.
No terceiro e último capítulo, centramos a nossa atenção numa análise de poemas
selecionados da coletânea Flores da Madeira, bem como nos seus poetas. A seleção dos
poemas obedece ao critério da sua temática, nomeadamente, as marcas identitárias da
Madeira presentes na poesia regional. Por fim, é feito um entrecruzamento da visão dos
poetas, com base nos temas presentes na antologia.
Em anexos, encontramos uma tabela-síntese com os principais temas e motivos
presentes nos poemas da antologia Flores da Madeira, assim como uma imagem da capa
de cada um dos volumes.
This research, in the field of literature, focuses on the study of poems dedicated to the island of Madeira, written by nineteenth-century Madeiran poets and published in the anthology Flores da Madeira, compiled by José Leite Monteiro and Alfredo Cesar D' Oliveira in Funchal in 1871. Based on this poetic anthology, this research establishes relationships between nineteenth-century poetry and island identity and seeks to find specific identity and geographical aspects in the poems covered. In the first chapter, Madeira in the 19th century is presented, with a contextualization of that century on the island. Next, the new social configurations of the time are presented and, finally, it is explained how island symbolism is reflected in Madeiran literature. In the second chapter, we focus on the poetry produced on the island in the 19th century, considering Madeira's ultra-romanticism and the influence of Soares de Passos, one of the exponents of this movement, the main ultra-romantic poets from Madeira and the importance of poetry anthologies in Madeira in the 19th century for the dissemination of the respective poets. In the third and final chapter, we focus our attention on the analysis of selected poems from the collection Flores da Madeira, as well as the respective poets. The poems were selected according to the criterion of their theme, namely the identity marks of Madeira present in regional poetry. Finally, the poets' points of view are cross-referenced, based on the themes present in the anthology. In annexes we find a summary table with the themes and motifs found in the poems of the poets featured in the anthology Flores da Madeira as an image of the cover. of each one of the volumes
This research, in the field of literature, focuses on the study of poems dedicated to the island of Madeira, written by nineteenth-century Madeiran poets and published in the anthology Flores da Madeira, compiled by José Leite Monteiro and Alfredo Cesar D' Oliveira in Funchal in 1871. Based on this poetic anthology, this research establishes relationships between nineteenth-century poetry and island identity and seeks to find specific identity and geographical aspects in the poems covered. In the first chapter, Madeira in the 19th century is presented, with a contextualization of that century on the island. Next, the new social configurations of the time are presented and, finally, it is explained how island symbolism is reflected in Madeiran literature. In the second chapter, we focus on the poetry produced on the island in the 19th century, considering Madeira's ultra-romanticism and the influence of Soares de Passos, one of the exponents of this movement, the main ultra-romantic poets from Madeira and the importance of poetry anthologies in Madeira in the 19th century for the dissemination of the respective poets. In the third and final chapter, we focus our attention on the analysis of selected poems from the collection Flores da Madeira, as well as the respective poets. The poems were selected according to the criterion of their theme, namely the identity marks of Madeira present in regional poetry. Finally, the poets' points of view are cross-referenced, based on the themes present in the anthology. In annexes we find a summary table with the themes and motifs found in the poems of the poets featured in the anthology Flores da Madeira as an image of the cover. of each one of the volumes
Descrição
Palavras-chave
Poesia Ilha da Madeira Antologia Flores da Madeira Séc. XIX Identidade Madeira (Portugal) Poetry Madeira Island Madeira Flowers Anthology 19th century Identity José Leite Monteiro Alfredo César d’Oliveira Estudos Regionais e Locais . Faculdade de Artes e Humanidades