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As favelas nos documentários brasileiros: a participação da comunidade local na representação da realidade
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Abstract(s)
O filme documentário pode ser considerado a essência do cinema. Como
destaca Penafria (1999), as primeiras imagens em movimento tinham como objetivo
apenas registrar os acontecimentos da vida. O documentário assume importância
antropológica e relevância em dimensão social e cultural, pela exposição e representação
de realidades distintas e pela reflexão sobre a construção de identidades sobre territórios
e os corpos que os habitam.
Esta pesquisa foi desenvolvida com o objetivo de investigar dez documentários
produzidos entre 2010 e 2016, no Rio de Janeiro (Brasil), sobre a temática “favelas”, para
desenvolver uma reflexão e análise categorial sobre os aspetos relevantes de cada
produção audiovisual e debater enfoques que representam a realidade dessas
comunidades e de seus moradores. A análise permitiu promover reflexão sobre atores
reais em seus contextos culturais, as próprias representações da realidade e construção de
identidades.
Os filmes evidenciam a relação dos protagonistas com os filmes, as participações na
conceção dos documentários, a relação entre homem e território, as experiências e
vivências dos moradores e suas múltiplas atuações.
O caráter participativo das produções permite refletir sobre a autorrepresentação dos
moradores das “favelas” e sobre o documentário enquanto instrumento de mobilização
social que ultrapassa barreiras urbanísticas e promove o desenvolvimento social.
How Brazilian Documentary shows the “favelas”: The local community participation in the reality representation. The documentary film can be considered the cinema essence. As Penafria (1999) points out, the first moving images were only meant to record the events of life. Today inserted as a cinematographic genre, the documentary assumes anthropological importance and relevance in a social and cultural dimension, by the exhibition and representation of distinct realities and by the reflection on the identities construction on territories and the bodies that inhabit them. The present research was developed to investigate ten documentaries produced among 2010 and 2016, at Rio de Janeiro (Brazil), on the theme "favelas", to develop a categorical analysis on the relevant aspects of each audiovisual production and to discuss the representations of the reality of these communities and their residents. The films show the relationship of the protagonists with the audiovisual productions, their participation in the conception of documentaries, the relationship between man and territory, the residents' experiences in the neighborhoods and their multiple actions. The participative character of the productions analyzed allows us to reflect on the self - representation of the “favelas” inhabitants on the documentary and as an instrument of social mobilization that surpasses urbanistic barriers and seeks to promote social development.
How Brazilian Documentary shows the “favelas”: The local community participation in the reality representation. The documentary film can be considered the cinema essence. As Penafria (1999) points out, the first moving images were only meant to record the events of life. Today inserted as a cinematographic genre, the documentary assumes anthropological importance and relevance in a social and cultural dimension, by the exhibition and representation of distinct realities and by the reflection on the identities construction on territories and the bodies that inhabit them. The present research was developed to investigate ten documentaries produced among 2010 and 2016, at Rio de Janeiro (Brazil), on the theme "favelas", to develop a categorical analysis on the relevant aspects of each audiovisual production and to discuss the representations of the reality of these communities and their residents. The films show the relationship of the protagonists with the audiovisual productions, their participation in the conception of documentaries, the relationship between man and territory, the residents' experiences in the neighborhoods and their multiple actions. The participative character of the productions analyzed allows us to reflect on the self - representation of the “favelas” inhabitants on the documentary and as an instrument of social mobilization that surpasses urbanistic barriers and seeks to promote social development.
Description
Keywords
Realidade social Representação da realidade Autorrepresentação Documentário participativo Favelas Rio de Janeiro (Brasil) Social reality Representation of reality Self-representation Participatory documentary . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira