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Paisagem e arquitetura da vinha, percursos interpretativos
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Abstract(s)
A exposição apresentada em setembro de 2022 no Centro Cívico do Estreito de Câmara de Lobos
constituiu-se como um conjunto de ferramentas para dar a ver a paisagem vitícola da Madeira,
através da sua representação e teve a sua génese em Terroir Madeira: Uma vocação reencontrada,
(trans)formações na arquitetura da paisagem vitícola, uma investigação realizada no âmbito de
Mestrado Integrado em Arquitetura na Faculdade de Arquitetura da Universidade do Porto em
2018-2019, da autoria de David Oliveira (1994-), natural desta freguesia.
Através de uma visitação multiescalar a vários pontos da Ilha, a exposição propôs levantar reflexões
e discussões sobre a (trans)formação da paisagem vitícola como forma de reencontro da sua
original vocação produtiva, em alternativa ao abandono e/ou à sua passiva contemplação. Uma
narrativa que procura sensibilizar as comunidades para os impactos dos diferentes intervenientes
sobre o território agrícola.
A paisagem ali evocada é entendida como um organismo vivo, nalguns casos em renovação, noutros
em rutura com a tradição. Renovação, porque. apesar da alteração dos materiais de construção, das
culturas agrícolas, e do estilo de vida da população, a identidade da paisagem permanece,
respondendo eficazmente às necessidades e aos valores do seu tempo. Rutura, porque a
substituição dos sistemas construtivos, testados num tempo alargado por outros sistemas
estandardizados e menos eficientes a longo prazo, pressupõe um grande risco para a segurança das
populações e para a sustentabilidade da agricultura.
A exposição suportou-se no desenho, enquanto instrumento privilegiado para interpretar, analisar e
sintetizar as qualidades e as fragilidades da paisagem vitícola nas últimas décadas, onde o Estreito
de Câmara de Lobos é caso de estudo.
Em diálogo, foram apresentados registos documentais, gráficos e artísticos do Ateliê de Paisagem:
representar a vinha a partir de António Aragão, uma atividade orientada por Martinho Mendes no
âmbito da educação sénior, dinamizada pelo Serviço Educativo do Museu de Arte Sacra do Funchal,
com os utentes do Centro Comunitário Vila Viva do Estreito de Câmara de Lobos, em 2021.
The exhibition presented in September 2022 at the Civic Centre of Estreito de Câmara de Lobos was a set of tools to show the viticultural landscape of Madeira, through its representation and had its genesis in Terroir Madeira: A reencountered purpose, (trans)formations in the architecture of the viticultural landscape, a research carried out within the scope of the Integrated Master's Degree in Architecture at the Faculty of Architecture of the University of Porto in 2018-2019, by David Oliveira (1994-), a native of this parish where the exhibition took place. Through a multi-scalar visitation to various points of the Island, the exhibition proposed to raise reflections and discussions on the (trans)formation of the viticultural landscape as a way of rediscovering its original productive purpose, as an alternative to abandonment and/or passive contemplation. A narrative that seeks to sensitise communities to the impacts of the different actors on the agricultural territory. The landscape evoked there is understood as a living organism, in some cases in renewal, in others in rupture with tradition. Renewal, because despite the change in building materials, agricultural crops and the quality of life of the population, the identity of the landscape remains, responding effectively to the needs and values of its time. Disruption, because the replacement of time-tested building systems by other standardised systems that are less efficient in the long term poses a great risk to the safety of the population and the sustainability of the whole agricultural cycle. The exhibition was based on drawing, as a privileged tool to interpret, analyse and synthesise the qualities and weaknesses of the viticultural landscape in recent decades, where Estreito de Câmara de Lobos is a case study. In dialogue, documentary, graphic and artistic records of the Landscape Workshop were presented: representing the vineyard from António Aragão, an activity guided by Martinho Mendes in the context of senior education, promoted by the Educational Service of the Museum of Sacred Art of Funchal, with the users of the Vila Viva Community Centre of Estreito de Câmara de Lobos, in 2021.
The exhibition presented in September 2022 at the Civic Centre of Estreito de Câmara de Lobos was a set of tools to show the viticultural landscape of Madeira, through its representation and had its genesis in Terroir Madeira: A reencountered purpose, (trans)formations in the architecture of the viticultural landscape, a research carried out within the scope of the Integrated Master's Degree in Architecture at the Faculty of Architecture of the University of Porto in 2018-2019, by David Oliveira (1994-), a native of this parish where the exhibition took place. Through a multi-scalar visitation to various points of the Island, the exhibition proposed to raise reflections and discussions on the (trans)formation of the viticultural landscape as a way of rediscovering its original productive purpose, as an alternative to abandonment and/or passive contemplation. A narrative that seeks to sensitise communities to the impacts of the different actors on the agricultural territory. The landscape evoked there is understood as a living organism, in some cases in renewal, in others in rupture with tradition. Renewal, because despite the change in building materials, agricultural crops and the quality of life of the population, the identity of the landscape remains, responding effectively to the needs and values of its time. Disruption, because the replacement of time-tested building systems by other standardised systems that are less efficient in the long term poses a great risk to the safety of the population and the sustainability of the whole agricultural cycle. The exhibition was based on drawing, as a privileged tool to interpret, analyse and synthesise the qualities and weaknesses of the viticultural landscape in recent decades, where Estreito de Câmara de Lobos is a case study. In dialogue, documentary, graphic and artistic records of the Landscape Workshop were presented: representing the vineyard from António Aragão, an activity guided by Martinho Mendes in the context of senior education, promoted by the Educational Service of the Museum of Sacred Art of Funchal, with the users of the Vila Viva Community Centre of Estreito de Câmara de Lobos, in 2021.
Description
Keywords
Paisagem Arquitetura Desenho Transformações Viticultura Landscape Architecture Drawing Transformations Viticulture . Faculdade de Artes e Humanidades
Citation
David Oliveira (2023), “Paisagem e arquitetura da vinha, percursos interpretativos”, TRANSLOCAL. Culturas Contemporâneas Locais e Urbanas, n.º7 - Paisagens Vulneráveis, Paisagens Resilientes | Vulnerable Landscapes, Resilient Landscapes, Funchal: UMa-CIERL/CMF/IA. https://translocal.funchal.pt/2020/06/04/etiqueta_07/ |
Publisher
UMa/CIERL/CMF/IA