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Identidades e estereótipos em “A heróica da cidade”, de Myriam Campello
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A fim de pensar sobre as interseções entre literatura, história e identidade, este artigo propõe uma análise literária
de “A heróica cidade”, de Myriam Campello (2017). O conto da autora brasileira entretece história e ficção a partir
de uma narrativa metalinguística e intertextual: a narradora e um interlocutor discutem sobre como será contada a
fundação da cidade do Rio de Janeiro por Estácio de Sá. Neste trabalho, equaciona-se como atuam o plano de
expressão e o plano de conteúdo na construção de efeitos de sentido do texto que, por sua vez, contribui para a
ressignificação das narrativas dominantes sobre a chegada dos portugueses a terras brasileiras e promove reflexões
sobre marcas identitárias e estereótipos. Propõe-se, ainda, considerar tendências estéticas e temáticas na literatura
em língua portuguesa, em específico a epopeia brasileira do século XIX, em contraponto com a literatura
contemporânea. Para tanto, faz-se referência a Miguel Real (2012) e Antônio Cândido (2006), ambos pensadores
literários de Portugal e do Brasil, respetivamente, de forma a enriquecer a perspetiva lusófona a partir das duas
óticas. O conto de Campello, irónico e subversivo, apresenta uma reinvenção das canónicas narrativas quinhentistas,
seiscentistas e mesmo dos romances históricos que as sucederam. No interior da narrativa contemporânea, as
provocações campellianas sugerem que o leitor aprofunde, criticamente, os eventos históricos que entrecruzam
Brasil e Portugal.
In order to think about the intersections between literature, history and identity, this article proposes a literary analysis of “The heroic city”, by Myriam Campello (2017). The Brazilian author’s short story intertwines history and fiction based on a metalinguistic and intertextual narrative: the narrator and an interlocutor discuss how the founding of the city of Rio de Janeiro by Estácio de Sá will be told. In this work, we consider how the plane of expression and the plane of content act in the construction of meaning effects of the text which, in turn, contributes to the redefinition of dominant narratives about the arrival of the Portuguese in Brazilian lands and promotes reflections on identity marks and stereotypes. It is also proposed to consider aesthetic and thematic trends in literature in Portuguese, specifically the Brazilian epic of the 19th century, in contrast to contemporary literature. To this end, reference is made to Miguel Real (2012) and Antônio Cândido (2006), both literary thinkers from Portugal and Brazil, respectively, in order to enrich the Lusophone perspective from both perspectives. Campello’s tale, ironic and subversive, presents a reinvention of the canonical 16th and 17th century narratives and even the historical novels that followed them. Within the contemporary narrative, Campelli’s provocations suggest that the reader critically delve deeper into the historical events that intertwine Brazil and Portugal.
In order to think about the intersections between literature, history and identity, this article proposes a literary analysis of “The heroic city”, by Myriam Campello (2017). The Brazilian author’s short story intertwines history and fiction based on a metalinguistic and intertextual narrative: the narrator and an interlocutor discuss how the founding of the city of Rio de Janeiro by Estácio de Sá will be told. In this work, we consider how the plane of expression and the plane of content act in the construction of meaning effects of the text which, in turn, contributes to the redefinition of dominant narratives about the arrival of the Portuguese in Brazilian lands and promotes reflections on identity marks and stereotypes. It is also proposed to consider aesthetic and thematic trends in literature in Portuguese, specifically the Brazilian epic of the 19th century, in contrast to contemporary literature. To this end, reference is made to Miguel Real (2012) and Antônio Cândido (2006), both literary thinkers from Portugal and Brazil, respectively, in order to enrich the Lusophone perspective from both perspectives. Campello’s tale, ironic and subversive, presents a reinvention of the canonical 16th and 17th century narratives and even the historical novels that followed them. Within the contemporary narrative, Campelli’s provocations suggest that the reader critically delve deeper into the historical events that intertwine Brazil and Portugal.
Descrição
Palavras-chave
Epopeia Literatura brasileira contemporânea Myriam Campello Paródia Contemporary brazilian literature Epic Parody . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Finguermann e Fernandes, S., Rosas Fernandes, R., & Paolinelli, L. (2023). Identidades e estereótipos em “A heróica da cidade”, de Myriam Campello. Revista Lusófona De Estudos Culturais E Comunicacionais (NAUS), 6(2), 03–13. https://doi.org/10.29073/naus.v6i2.801
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