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Cuerpos visuales
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Abstract(s)
A lo largo de la historia occidental el cuerpo ha sido tratado y concebido a
través de diferentes matices tanto ideológicos como religiosos, con argumentos políticos,
morales y científicos. El arte, especialmente, ha explorado la representación de éste desde
la prehistoria hasta la actualidad evidenciando una necesidad en la creación de imágenes
que lo signifique. Este abordaje lo han realizado los medios de comunicación, a través de
la publicidad por ejemplo, así como también el cine. En los diferentes tratamientos se han
utilizado elementos tales como la concepción de belleza, poder, identidad, culto, vida y
muerte, etcétera. La presente propuesta consiste en una disertación acerca del cuerpo y el
tratamiento de las imágenes representativas que integran la cultura visual e ideológica
contemporánea teniendo como eje constructor la película “Las hijas del fuego” (2018),
de Albertina Carri, que nos adentra a un universo de cuerpos diversos e imperfectos que
no reflejan la hegemonía histórica-sexual de lo corporal, permitiendo así un debate acerca
del tratamiento actual del cuerpo, la norma, la destrucción y la autoconstrucción del
mismo y su representación.
Throughout Western history, the body has been treated and conceived through different nuances, both ideological and religious, with political, moral and scientific arguments. Art, especially, has explored its representation from prehistory to the present day evidencing a need in the creation of images that mean it. This approach has been made by the media, through advertising for example, as well as the cinema. In the different treatments, elements such as the conception of beauty, power, identity, cult, life and death, etc. have been used. The present proposal consists of a dissertation about the body and the treatment of the representative images that make up the contemporary visual and ideological culture, having as a constructive axis the film “Las hijas del fuego” (2018), by Albertina Carri, which introduces us to a universe of diverse and imperfect bodies that do not reflect the historical-sexual hegemony of the corporeal, thus allowing a debate about the current treatment of the body, the norm, the destruction and self construction of the body and its representation
Throughout Western history, the body has been treated and conceived through different nuances, both ideological and religious, with political, moral and scientific arguments. Art, especially, has explored its representation from prehistory to the present day evidencing a need in the creation of images that mean it. This approach has been made by the media, through advertising for example, as well as the cinema. In the different treatments, elements such as the conception of beauty, power, identity, cult, life and death, etc. have been used. The present proposal consists of a dissertation about the body and the treatment of the representative images that make up the contemporary visual and ideological culture, having as a constructive axis the film “Las hijas del fuego” (2018), by Albertina Carri, which introduces us to a universe of diverse and imperfect bodies that do not reflect the historical-sexual hegemony of the corporeal, thus allowing a debate about the current treatment of the body, the norm, the destruction and self construction of the body and its representation
Description
Keywords
Cuerpos Cine Imagen Diversidad Visualidad Bodies Movie Image Diversity Visuality . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira