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Cine y territorio de encierro: imágenes del cine de Jean Genet
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Resumo(s)
Esta propuesta tributa a la apertura interdisciplinaria ante la complejidad del
cautiverio humano como régimen de existencia que se formaliza en un estatuto territorial
y un repertorio de imágenes cinematográficas. Sobre la idea de encierro pesa una lógica
de obliteración a nivel discursivo, simbólico y epistemológico; en gran medida se concibe
a partir de la experiencia sensible del cine, cuyas pautas demagógicas de figuración
sintomática lo presenta y representa como un hecho irrevocable y no como obra humana,
un elemento de la historia. La inmovilidad del encierro inscribe el cuerpo al mandato de
la ley y en impracticabilidad del territorio; la abundancia de la imagen representacional
acota la posibilidad de pensarse a sí. Para superar esta contrición, surge el relato que
deserta del orden: El lenguaje cinematográfico de Jean Genet desborda experiencia vital,
intelectual, hidiosincrática y una política de uso y modelización del territorio de encierro
como un lugar global.
This proposal contributes to the interdisciplinary opening in the face of the complexity of human captivity as a regime of existence that is formalized in a territorial statute and a repertoire of cinematic images. The logic of obliteration weighs on the idea of confinement at a discursive, symbolic, and epistemological level; it is largely conceived from the sensible experience of cinema, whose demagogic patterns of symptomatic figuration present and represent it as an irrevocable fact and not as human-made, as an element of history. The immobility of confinement inscribes the body to the mandate of the law and to the impracticality of territory; the abundance of representational images limits the possibility of self-reflection. To overcome this contrition, a narrative arises that deserts from the order: The cinematic language of Jean Genet overflows with vital, intellectual, individual experience and a politics of use and modeling of the territory of confinement as a global place.
This proposal contributes to the interdisciplinary opening in the face of the complexity of human captivity as a regime of existence that is formalized in a territorial statute and a repertoire of cinematic images. The logic of obliteration weighs on the idea of confinement at a discursive, symbolic, and epistemological level; it is largely conceived from the sensible experience of cinema, whose demagogic patterns of symptomatic figuration present and represent it as an irrevocable fact and not as human-made, as an element of history. The immobility of confinement inscribes the body to the mandate of the law and to the impracticality of territory; the abundance of representational images limits the possibility of self-reflection. To overcome this contrition, a narrative arises that deserts from the order: The cinematic language of Jean Genet overflows with vital, intellectual, individual experience and a politics of use and modeling of the territory of confinement as a global place.
Descrição
Palavras-chave
Archipiélago carcelario Sentido de lugar Localidad Contra-racionalidad Jean Genet Carceral archipelago Sense of place Locality Counter-rationality . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Editora
Universidade da Madeira