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Realismo enfermizo mexicano. Reygadas y Escalante

dc.contributor.authorPascual Galbis, Pau
dc.date.accessioned2024-05-31T13:49:00Z
dc.date.available2024-05-31T13:49:00Z
dc.date.issued2023
dc.description.abstractViaje hiperrealista hacia el abismo de la sociedad mexicana contemporánea, que Luis Buñuel inauguraría con el estreno de Los olvidados en 1950, donde se entremezclaba la pobreza, mal dad y una inquietante extrañeza muy naturalista. En este artículo se analizarán una selección de películas incómodas y transgresoras de Amat Escalante y Carlos Reygadas, en las que predominan un realismo patológico, mediante narrativas cercanas a lo amargo e inverosímil. Largometrajes que exhiben deseos reprimidos, violencia, impunidad y corrupción. Lacras y obsesiones que infelizmente sufre el México actual, en el que ambos autores se expresan de manera portentosa y crítica hacia dichas plagas. Por último, producciones que nos evocan una mirada poética e incisiva sobre las diversas problemáticas del país norteamericano.pt_PT
dc.description.abstractA hyper-realistic journey into the abyss of contemporary Mexican society, which Luis Buñuel would inaugurate with the premiere of The Forgotten in 1950, where poverty, evil and a disturbance, very naturalistic strangeness intermingled. In this paper, a selection of uncomfortable and transgressive films by Amat Escalante and Carlos Reygadas will be analyzed, in which pathological realism predominates, through narratives close to the bitter and implausible. Feature films that exhibit repressed desires, violence, impunity, and corruption. Blemishes and obsessions that current Mexico unfortunately suffers, in which both authors express themselves in a portentous and critical way towards these plagues. Finally, productions that evoke a poetic and incisive look at the various problems of the North American country.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationPascual Galbis, P. (2023). Realismo enfermizo mexicano. Reygadas y Escalante. Accadere. Revista de Historia del Arte, (5), 25-41.pt_PT
dc.identifier.doi10.25145/j.histarte.2023.05.02pt_PT
dc.identifier.urihttp://hdl.handle.net/10400.13/5709
dc.language.isospapt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidad de La Lagunapt_PT
dc.relationResearch Institute for Design, Media and Culture
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectCarlos Reygadaspt_PT
dc.subjectAmat Escalantept_PT
dc.subjectCine contemporáneo mexicanopt_PT
dc.subjectRealismo enfermizopt_PT
dc.subjectViolencia en Méxicopt_PT
dc.subjectMexican contemporary cinemapt_PT
dc.subjectSick realismpt_PT
dc.subjectViolence in Mexicopt_PT
dc.subject.pt_PT
dc.subjectFaculdade de Artes e Humanidadespt_PT
dc.titleRealismo enfermizo mexicano. Reygadas y Escalantept_PT
dc.typejournal article
dspace.entity.typePublication
oaire.awardTitleResearch Institute for Design, Media and Culture
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04057%2F2020/PT
oaire.citation.endPage41pt_PT
oaire.citation.issue05pt_PT
oaire.citation.startPage25pt_PT
oaire.citation.titleACCADERE. Revista de Historia del Artept_PT
oaire.fundingStream6817 - DCRRNI ID
person.familyNamePascual Galbis
person.givenNamePau
person.identifier.ciencia-idF010-6AFA-7495
person.identifier.orcid0000-0003-4817-4766
person.identifier.scopus-author-id57574536700
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublicationa4bf13d7-4e8f-4861-ad5e-abbc5c0dc37c
relation.isAuthorOfPublication.latestForDiscoverya4bf13d7-4e8f-4861-ad5e-abbc5c0dc37c
relation.isProjectOfPublication2cebd314-3120-4943-950b-dae932db771f
relation.isProjectOfPublication.latestForDiscovery2cebd314-3120-4943-950b-dae932db771f

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