Publication
Diáspora en feminino e cinema
| dc.contributor.author | Ledo Andión, Margarita | |
| dc.date.accessioned | 2021-08-09T11:21:42Z | |
| dc.date.available | 2021-08-09T11:21:42Z | |
| dc.date.issued | 2018 | |
| dc.description.abstract | : “Esquecerte de quen es para ser ti mesma-outra”, dinos a voz e o corpo en exilio da actriz de orixe galega María Casares no filme de Alain Resnais Gernika, 1945. Para non esquecer a barbarie, o bombardeo sobre poboación civil, a perda. Para sentir o corpo algures, alén da perda, no lugar onde están os teus pés. Con esta idea paradoxal canda o cinema que lle pon rostro a ese sinal tráxico do século: o movemento incesante de masas humanas por fame, guerras, persecución, catástrofes... imos procurar un cinema no que o territorio é, singularmente, o desexo do retorno; imos cara as definicións de cine migrante, de cinema de e dende a diáspora e so as pegadas do feminino; imos cara a actitude do e da cineasta como constitutiva das obras para, na fin, exemplificalo a traveso dunha pequena viaxe no Cinema en Lingua Galega. | pt_PT |
| dc.description.abstract | : ‘Forget who you are in order to be yourself/another’, says the voice and body in exile of the actor of Galician origin, Maria Casares, in Alain Resnais's 1945 film, Gernika. So as not to forget the barbarity, the bombing of the civil population, the losses. To feel your body in someplace, beyond the loss, in the place where your feet are. Using this paradoxical idea and accompanied by cinema – which puts a face to that tragic characteristic of the century: the never-ending movement of masses of people driven by hunger, wars, persecution, catastrophes, etc. – we are going to search for a cinema in which territory is, uniquely, the desire to return. We are moving towards a definition of migrant cinema, of cinema of, and from, the diaspora, and following in the footsteps of what is feminine; we are moving towards the attitude of the filmmaker as a requisite of filmmaking to, ultimately, epitomise said migrant cinema via a brief journey through Cinema in Galician Language. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.doi | 10.34640/universidademadeira2018ledoandion | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10400.13/3598 | |
| dc.language.iso | spa | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Universidade da Madeira | pt_PT |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | pt_PT |
| dc.subject | Diáspora | pt_PT |
| dc.subject | Emigración | pt_PT |
| dc.subject | Exilio | pt_PT |
| dc.subject | Cinema en lingua galega | pt_PT |
| dc.subject | Novo cinema galego | pt_PT |
| dc.subject | Diaspora | pt_PT |
| dc.subject | Emigration | pt_PT |
| dc.subject | Exile | pt_PT |
| dc.subject | Cinema in Galician language | pt_PT |
| dc.subject | New Galician cinema | pt_PT |
| dc.subject | . | pt_PT |
| dc.subject | Faculdade de Artes e Humanidades | pt_PT |
| dc.title | Diáspora en feminino e cinema | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Funchal, Madeira (Portugal) | pt_PT |
| oaire.citation.endPage | 101 | pt_PT |
| oaire.citation.startPage | 92 | pt_PT |
| oaire.citation.title | Cinema & Território: Revista Internacional de Arte e Antropologia das Imagens | pt_PT |
| oaire.citation.volume | 3 | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
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