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L’expérience vécue en Antarctique dans les films et séries du XXIᵉ siècle : réalisation de soi, dimension mystique, subjectivité féminine
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Resumo(s)
L’Antarctique au cinéma est un objet de recherche qui a, jusque-là, été peu
étudié. Cet article adopte une approche phénoménologique qui vise à montrer que
l’expérience vécue sur ce territoire, telle que présentée dans les films (de fiction, mais
surtout documentaires) et séries du XXIᵉ siècle, est structurée par trois axes principaux.
Le premier est la réalisation personnelle. Il peut s’agir de relever un défi propre à se
dessaisir des verdicts blessant l’ego et à recouvrer une pleine confiance en soi, d’édifier
une éthique réglant la conduite de sa vie, ou encore de trouver de quoi vivifier son art.
Mais, second axe, l’expérience contemporaine du Continent blanc connaît également un
versant mystique. A ce titre, l’expérience dans les productions audiovisuelles étudiées
peut être davantage méditative, cosmique, sur un mode immanent, ou plutôt commandée
par des affects religieux ; des formes de miracle peuvent également éclore. Enfin, le
dernier point du présent article concerne l’expérience féminine. Le genre influence
sensiblement le vécu en Antarctique. Certains films analysés peuvent travailler, sur le
plan fictionnel, à l’émancipation d’une femme, tandis que d’autres documentent
l’évolution, encourageante, de l’expérience féminine sur ce territoire. Des questions
afférentes sont traitées, notamment la maternité et le harcèlement sexuel.
Antarctica in cinema is a research topic that has, until now, been little studied. This article adopts a phenomenological approach that aims to show that the lived experience of this territory, as presented in films (fiction, but mainly documentaries) and series of the XXI century, is structured by three main axes. The first is personal fulfilment. It can involve taking up a challenge to free oneself from verdicts that hurt the ego and regain full self-confidence, to build an ethic governing the conduct of one's life, or even to find something to enliven one's art. But, second axis, the contemporary experience of the White Continent also has a mystical side. As such, the experience in the audiovisual productions studied can be more meditative, cosmic, in an immanent mode, or rather commanded by religious affects; forms of miracle can also emerge. Finally, the last point of this article concerns the female experience. Gender significantly influences experiences in Antarctica. Some of the films analyzed may fictionally address the emancipation of a woman, while others document the encouraging evolution of the female experience in this territory. Related issues are addressed, including motherhood and sexual harassment.
Antarctica in cinema is a research topic that has, until now, been little studied. This article adopts a phenomenological approach that aims to show that the lived experience of this territory, as presented in films (fiction, but mainly documentaries) and series of the XXI century, is structured by three main axes. The first is personal fulfilment. It can involve taking up a challenge to free oneself from verdicts that hurt the ego and regain full self-confidence, to build an ethic governing the conduct of one's life, or even to find something to enliven one's art. But, second axis, the contemporary experience of the White Continent also has a mystical side. As such, the experience in the audiovisual productions studied can be more meditative, cosmic, in an immanent mode, or rather commanded by religious affects; forms of miracle can also emerge. Finally, the last point of this article concerns the female experience. Gender significantly influences experiences in Antarctica. Some of the films analyzed may fictionally address the emancipation of a woman, while others document the encouraging evolution of the female experience in this territory. Related issues are addressed, including motherhood and sexual harassment.
Descrição
Palavras-chave
Antarctique Cinéma contemporain Cinéma documentaire Phénoménologie Territoire Antarctica Contemporary cinema Documentary cinema Phenomenology Territory . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Gras, A. & Radicchi, G. A. (2025). L’expérience vécue en Antarctique dans les films et séries du XXIᵉ siècle : réalisation de soi, dimension mystique, subjectivité féminine. Cinema & Território, (10), 28-47. http://doi.org/10.34640/ct10uma2025grasradicchi
Editora
Universidade da Madeira