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Advisor(s)
Abstract(s)
Il s’agit ici de dépasser les débats mettant en rivalité image fixe et image
animée, anthropologie visuelle et photographie sociologique. Afin de questionner les
usages des images en sciences sociales, nous présentons les ancrages historiques,
scientifiques et techniques, les questions de temporalité, les spécificités de recueil de
données et les utilisations disjointes et conjointes de la photographie et du film. A l’heure
où les technologies numériques offrent de nouvelles possibilités de prise de vue et de
traitement des images, un vaste champ relatif à de nouvelles expérimentations de l’image
s’ouvre.
We want here to overcome the rivalries between photos and films as well as between visual anthropology and sociologic photography. Our aim is to question the use of image in social sciences. In order to do so, we trace back historical, scientific and technical bases. We also question temporality, specificities of photo and film during fieldwork. Now that digital techniques offer new possibilities in the use of images, social scientists have new opportunities in experiencing the specificities of image languages.
We want here to overcome the rivalries between photos and films as well as between visual anthropology and sociologic photography. Our aim is to question the use of image in social sciences. In order to do so, we trace back historical, scientific and technical bases. We also question temporality, specificities of photo and film during fieldwork. Now that digital techniques offer new possibilities in the use of images, social scientists have new opportunities in experiencing the specificities of image languages.
Description
Keywords
Photographie Film Anthropologie Expérimentation de l’image Photography Anthropology Experimentation of the image . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira