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Viagens reais e imaginárias nos trilhos do cinema e do audiovisual
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Abstract(s)
Este artigo aborda algumas experiências criativas desenvolvidas dentro do
projeto em andamento “Viagens, viajantes e imagens em movimento”, iniciado pela
autora em 1993, sob o título D’Estradas, com a realização do documentário Passante,
sobre personagens das estradas brasileiras e, posteriormente, de Mundança, acerca de
viajantes sem destino certo nos trens da extinta FEPASA, ambos premiados pela
Secretaria de Cultura do Estado de São Paulo. A despeito de seu caráter
predominantemente documental e histórico, esse projeto engloba, além dos
documentários citados, alguns trabalhos de ficção audiovisual e uma instalação interativa,
realizados a partir do mesmo material bruto, tendo a montagem/edição como um ato
criativo fundamental, uma escrita com imagens e sons.
This article discuss some creative experiences developed during the work in progress called "Travels, travelers and moving images” (“Viagens, viajantes e imagens em movimento”). It was started by the author in 1993 under the title of The Road (D’Estradas), including the production of the documentary Passante (Passing) about Brazilian road characters andalso Mundança (Mix of words: World-Dance WalkingChange) about travelers in the train. Both were awarded by the São Paulo State Culture Department. Despite the historic chatacter of the project, it also includes some fiction works with them as well as an interactive installation. All was done using the same gross material, focusing on editing as a fundamental creative act, a writing with images and sounds.
This article discuss some creative experiences developed during the work in progress called "Travels, travelers and moving images” (“Viagens, viajantes e imagens em movimento”). It was started by the author in 1993 under the title of The Road (D’Estradas), including the production of the documentary Passante (Passing) about Brazilian road characters andalso Mundança (Mix of words: World-Dance WalkingChange) about travelers in the train. Both were awarded by the São Paulo State Culture Department. Despite the historic chatacter of the project, it also includes some fiction works with them as well as an interactive installation. All was done using the same gross material, focusing on editing as a fundamental creative act, a writing with images and sounds.
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Keywords
Viajantes Ferrovia Rodovia Documentário Montagem Processo de criação Travelers Railway Road Documentary Editing Creative process . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira