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Publication
Grotesque happiness: otredad y mito en el videoclip de los noventa
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Authors
Advisor(s)
Abstract(s)
El texto genéricamente indaga sobre la alteridad somática en los vídeos musicales de la década de los noventa bajo un prisma antropológico, buscando semejanzas entre la poética del ritual, estética, cultura y arte audiovisual. Cuerpos grotescos asociados al mito y que subyacen latentes en ciertas producciones musicales. Por último analiza al videoclip Happiness in slavery (1992) de Nine Inch Nails dirigido por Jon Reiss, como modelo del estudio desarrollado.
The article is about investigation on the somatic otherness of the 90’s music videos under the prism of anthropology. It looks for similarities between the poetics of ritual, aesthetics, culture and audiovisual art. It highlights the grotesque bodies associated with myth that are hidden in certain musical productions. Happiness in slavery (1992) a music video of Nine Inch Nails directed by Jon Reiss is analysed as a developed model study.
The article is about investigation on the somatic otherness of the 90’s music videos under the prism of anthropology. It looks for similarities between the poetics of ritual, aesthetics, culture and audiovisual art. It highlights the grotesque bodies associated with myth that are hidden in certain musical productions. Happiness in slavery (1992) a music video of Nine Inch Nails directed by Jon Reiss is analysed as a developed model study.
Description
Keywords
Cuerpo-grotesco Mito Vídeo musical Estética Noventa Nine Inch Nails Grotesc-body Myth Music video Aesthetics 90’s . Faculdade de Artes e Humanidades
Citation
Grotesque happiness: otredad y mito en el videoclip de los noventa / Pau Pascual Galbis. - In: Cinema & território. - Funchal. ISSN 2183-7902. - N. 1 (2016), p. 134-140.
Publisher
Universidade da Madeira