Loading...
Publication
Sol negro: identidades e conflito na cidade globalizada
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 727.61 KB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Este artigo toma como ponto de partida o filme japonês Sol negro, realizado
por Koreyoshi Kurahara em 1964, e recorre ao conceito de Arts-Based Research como
principal ferramenta metodológica. A obra providencia uma série de elementos úteis para
a compreensão de algumas transformações verificadas na sociedade nipónica do pósSegunda Guerra Mundial, tais como o aparecimento de uma juventude em permanente
revolta com as normas sociais, o consumo e a cultura de massas, a relação da sociedade
japonesa com figuras exógenas e também as alterações, simbólicas e materiais, da
morfologia urbana durante o processo de globalização. Paralelamente, Sol negro incide
igualmente sobre temáticas como o racismo estrutural, dirigido às comunidades
afrodescendentes, e a estereotipização da sua figura através da cultura de massas.
This article takes the 1964 Japanese film Black sun, directed by Koreyhosi Kurahara in 1964, as its starting point and uses the concept of Arts-Based Research as the main methodological tool. The work provides a series of useful elements for the understanding of some transformations verified in the post-World War II Japanese society, such as the appearance of a youth in permanent revolt with social norms, consumption and mass culture, the relationship of the japanese society with exogenous figures and also symbolic and material changes in urban morphology during the globalization process. At the same time, Black sun also focuses on themes such as structural racism, aimed at Afro-descendant communities, and the stereotyping of their figure through mass culture.
This article takes the 1964 Japanese film Black sun, directed by Koreyhosi Kurahara in 1964, as its starting point and uses the concept of Arts-Based Research as the main methodological tool. The work provides a series of useful elements for the understanding of some transformations verified in the post-World War II Japanese society, such as the appearance of a youth in permanent revolt with social norms, consumption and mass culture, the relationship of the japanese society with exogenous figures and also symbolic and material changes in urban morphology during the globalization process. At the same time, Black sun also focuses on themes such as structural racism, aimed at Afro-descendant communities, and the stereotyping of their figure through mass culture.
Description
Keywords
Cinema do pós-guerra Arts-based research Japão Racismo Globalização Sol negro Post-war cinema Arts-based research Japan Racism Globalization Black sun . Faculdade de Artes e Humanidades
Citation
Réquio, P. (2020). Sol negro: identidades e conflito na cidade globalizada. Universidade da Madeira. https://doi.org/10.34640/UNIVERSIDADEMADEIRA2020REQUIO
Publisher
Universidade da Madeira