Loading...
Publication
A Terra como Acontecimento. A pintura interpelada pelo cinema em torno do filme A Terra como Acontecimento
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 606.75 KB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Esta comunicação inscreve-se num projeto em curso sobre as matérias da
“Terra” que se tem desdobrado na investigação dos materiais, no espaço pictural e na
instalação, intitulado “A Terra como Acontecimento”. A recusa intencional da
representação e narratividade, o uso das matérias tendem a abalar as fronteiras dos
géneros. Por exemplo, a acumulação das tintas leva a uma espessura que a torna numa
quase escultura. Dada a essencial mudez das artes plásticas a transposição para o cinema
das 3 séries em que se desdobra este projecto cria um espaço outro que originando-se na
pintura a alegoriza criando uma espécie de “nova-terra” (Deleuze), que prolonga o
pictural geoesteticamente. Trata-se de um duplo movimento, da pintura para o cinema e
vice-versa, que ilumina a pintura revelando a natureza do acontecimento da terra. A
possibilidade de um habitar outro que começa sempre num retorno ao mais arcaico, ou
seja, “A Terra como Acontecimento”. A terra arcaica produzida é bem reveladora das
estratégias de poder que milenarmente a procuram dominar.
This communication comes within a project about the matters of the “Earth” that has unfolded in the investigation of the matters in the pictorial space and installation, entitled “The Earth as an Event”. The intentional refusal of the representation and of the narration and the use of the matters tend to shake the boundaries of the genres. For example, the accumulation of the inks leads to a thickness that makes it a near sculpture. Due to the essential muteness of the plastic arts, its transposition to the cinema of the three series in which this project is splited creates another space, which has its origin in the painting and allegorizes itself creating a kind of “new-Earth” (Deleuze), which extends the pictorial geo-aesthetically. It is a double movement, from the painting to the cinema and vice-versa, which illuminates the painting revealing the nature of the event of the Earth. The possibility of a new inhabit that always begins in a return to the most archaic, that is, “The Earth as an Event”. The produced archaic earth reveals the strategies of the power that has tried to dominate it during thousands of years.
This communication comes within a project about the matters of the “Earth” that has unfolded in the investigation of the matters in the pictorial space and installation, entitled “The Earth as an Event”. The intentional refusal of the representation and of the narration and the use of the matters tend to shake the boundaries of the genres. For example, the accumulation of the inks leads to a thickness that makes it a near sculpture. Due to the essential muteness of the plastic arts, its transposition to the cinema of the three series in which this project is splited creates another space, which has its origin in the painting and allegorizes itself creating a kind of “new-Earth” (Deleuze), which extends the pictorial geo-aesthetically. It is a double movement, from the painting to the cinema and vice-versa, which illuminates the painting revealing the nature of the event of the Earth. The possibility of a new inhabit that always begins in a return to the most archaic, that is, “The Earth as an Event”. The produced archaic earth reveals the strategies of the power that has tried to dominate it during thousands of years.
Description
Keywords
Pensamento Terra Pintura Cinema Alegoria Metapolítica Thought Earth Painting Cinema Allegory Metapolitics . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira