A carregar...
Publicação
El deseo emancipado en la animación de Walerian Borowczyk
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 2 MB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
Este artículo enuncia la premisa del
deseo emancipado y transgresor de Wa lerian Borowczyk, presente tanto en sus
filmes de animación como en sus otras
películas de índole más erótico, y con
frecuencia analizadas aparte. En ambas
modalidades predominan un imaginario
católico que reprime los deseos más liber tinos del espectador. Un discurso ideológi co, sacrílego y sexual, en el que además
los recuerdos —aunque duelan mucho—,
se hacen presentes y no se pueden olvidar,
evocando la memoria colectiva de Maurice
Halbwachs (2004 [1968]). Por ejemplo, el
Holocausto visto como un proceso de in dustrialización, evidente en la animación
Les jeux des anges (1964), así como tam bién la disolución familiar y vouyeurismo
en Le théâtre de monsieur et madame Kabal
(1962). Borowczyk, un autor brillante, in clasificable y revolucionario, destaca por
su ansia de libertad, su oposición a los va lores tradicionales y por la reivindicación
del deseo sin límites.
This paper examines Walerian Borow czyk’s emancipated and transgressive de sire, present both in his animated films and in his other films of a more erotic genre, frequently analyzed separately. In both, a Catholic imaginary predominates that represses the spectator’s most de bauched desires. An ideological, sacrile gious and sexual discourse; and in which memories —despite they hurt—, cannot be forgotten, evoking Maurice Halbwachs’ idea of collective memory; for instance, the Holocaust seen as a process of in dustrialization, as seen in the animated film Les jeux des anges (1964); as well as the family dissolution and vouyeurism in Le théâtre de monsieur et madame Kabal (1962). Borowczyk is a brilliant, unclassifi able and revolutionary author, who stands out for his desire for freedom, his opposi tion to traditional values and for the claim of unlimited desire.
This paper examines Walerian Borow czyk’s emancipated and transgressive de sire, present both in his animated films and in his other films of a more erotic genre, frequently analyzed separately. In both, a Catholic imaginary predominates that represses the spectator’s most de bauched desires. An ideological, sacrile gious and sexual discourse; and in which memories —despite they hurt—, cannot be forgotten, evoking Maurice Halbwachs’ idea of collective memory; for instance, the Holocaust seen as a process of in dustrialization, as seen in the animated film Les jeux des anges (1964); as well as the family dissolution and vouyeurism in Le théâtre de monsieur et madame Kabal (1962). Borowczyk is a brilliant, unclassifi able and revolutionary author, who stands out for his desire for freedom, his opposi tion to traditional values and for the claim of unlimited desire.
Descrição
Palavras-chave
Walerian Borowczyk Animación Deseo Surrealismo Artes visuales Cine Animation Desire Surrealism Visual arts Cinema . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Pascual Galbis, P. (2022). El deseo emancipado en la animación de Walerian Borowczyk. Con A de animación, (14), 24-38.
Editora
Universidad Politécnica de Valencia