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Autores
Orientador(es)
Resumo(s)
Medieval allegorical interpretations of classical mythology
continued into the Quattrocento, notably in the fifteen books of
Giovanni Boccaccio's Genealogiae deorum gentilium, already
considered the magna charta of the new universal dignity
achieved by literature. Thus, from the dawn of the Renaissance,
a period when Greek authors were published, often in Latin
translation, mythology began a remarkable journey in all areas of
art. But it is in literature that myth and mythological motifs inform
all genres and recur in authors from different periods, from the
Middle Ages and Renaissance to modernity. In Portugal, over
time, the influences of classical mythology, particularly in 16th
century literature, both Latin and vernacular, in poetry and prose,
have acquired special significance in political rhetoric, where
the mythical personification of non-humanistic values, such as
adulatio and adulator, flattery and flatterer, takes place,
imprinting emotional enargeia and argumentative force on the
denunciation of their pernicious action.
Descrição
Palavras-chave
Classical mythology Political rhetoric Proto-humanism Humanism and Renaissance violence Political pedagogy . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Editora
Universidade da Madeira. Faculdade de Artes e Humanidades (FAH)
