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Poesia (território sagrado) e cinema (acólito devoto)
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Authors
Advisor(s)
Abstract(s)
Entre a Poesia, como “território sagrado” e o Cinema, seu “acólito devoto”
pretendeu-se trazer à discussão uma relação difícil e improvável. Foi a partir de A cor da
Romã (1968), de Serguei Paradjanov, que Maria João Seixas se propôs contribuir para
uma reflexão sobre a relação entre o Cinema e o território literário, nomeadamente, a
Poesia.
Between Poetry, as “sacred territory” and Cinema, its “devout acolyte” it was intended to bring to the discussion its difficult and improbable relation. It was from The Color of Pomegranate (1968) by Serguei Paradjanov, that Maria João Seixas set out to contribute for a reflection between Cinema and the literary territory, Poetry
Between Poetry, as “sacred territory” and Cinema, its “devout acolyte” it was intended to bring to the discussion its difficult and improbable relation. It was from The Color of Pomegranate (1968) by Serguei Paradjanov, that Maria João Seixas set out to contribute for a reflection between Cinema and the literary territory, Poetry
Description
Keywords
Cinema Poesia A cor da Romã Serguei Paradjanov Sayat-Nova Poetry The Color of Pomegranate . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira