Publication
Errare Est... Aproximaciones Indisciplinares en las prácticas artísticas contemporáneas
| dc.contributor.author | Puig Mestres, Eloi | |
| dc.contributor.author | Magalhães, Vítor Manuel Ornelas | |
| dc.date.accessioned | 2021-11-03T15:27:08Z | |
| dc.date.available | 2021-11-03T15:27:08Z | |
| dc.date.issued | 2018 | |
| dc.description.abstract | Errors, noise, accidents, interruptions, saturation, chaos, disorder are often related to the results of questioning, just as they are difficult words that we quickly identify as pejorative, which we do not understand or expect, what we despise. Many artists refer to the world as human excretion, virus, vomit, sterile, within the limits of institutional and governmental power. This article aims to approach some artistic practices that have, under a perspective of questioning the status quo of the system, dealt with the multiform of what we have often called error. | pt_PT |
| dc.description.abstract | Los errores, el ruido, los accidentes, las interrupciones, la saturación, el caos, el desorden son a menudo relacionados con los resultados de interrogantes, de la misma manera son palabras difíciles que rápidamente identificamos insertadas hacia a lo peyorativo, lo que no entendemos ni esperamos, lo que despreciamos porque nos es ajeno. Muchos artistas nos referencian el mundo como excrecencia humana, virus, vómito, estéril, en los límites del poder institucional y gubernamental. Este artículo pretende ser una aproximación a algunas prácticas artísticas que han abordado, bajo una perspectiva de cuestionamiento del status quo del sistema, lo multiforme de aquello que a menudo hemos llamado error. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | Puig Mestres, E., & Magalhães, V. M. O. (2018). Errare Est. Aproximaciones Indisciplinares en las Prácticas Artísticas Contemporáneas. Barcelona Investigación Arte Creación, 6(3), 271–295. https://doi.org/10.17583/brac.2018.3046 | pt_PT |
| dc.identifier.doi | 10.17583/brac.2018.3046 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10400.13/3793 | |
| dc.language.iso | spa | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Hipatia Press | pt_PT |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | pt_PT |
| dc.subject | Error | pt_PT |
| dc.subject | Noise | pt_PT |
| dc.subject | Serendipity | pt_PT |
| dc.subject | Resignification | pt_PT |
| dc.subject | Interference | pt_PT |
| dc.subject | Randomness | pt_PT |
| dc.subject | Negation | pt_PT |
| dc.subject | Ruido | pt_PT |
| dc.subject | Serendipia | pt_PT |
| dc.subject | Resignificación | pt_PT |
| dc.subject | Interferencia | pt_PT |
| dc.subject | Azar | pt_PT |
| dc.subject | Negación | pt_PT |
| dc.subject | . | pt_PT |
| dc.subject | Faculdade de Artes e Humanidades | pt_PT |
| dc.title | Errare Est... Aproximaciones Indisciplinares en las prácticas artísticas contemporáneas | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Espanha | pt_PT |
| oaire.citation.endPage | 295 | pt_PT |
| oaire.citation.issue | 3 | pt_PT |
| oaire.citation.startPage | 271 | pt_PT |
| oaire.citation.title | Barcelona Investigación Arte Creación | pt_PT |
| oaire.citation.volume | 6 | pt_PT |
| person.familyName | Ornelas Magalhães | |
| person.givenName | Vítor Manuel | |
| person.identifier.ciencia-id | CF1F-326F-3554 | |
| person.identifier.orcid | 0000-0003-4440-5061 | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
| relation.isAuthorOfPublication | ba78f511-8f5b-4ed7-8cff-6065063f2afc | |
| relation.isAuthorOfPublication.latestForDiscovery | ba78f511-8f5b-4ed7-8cff-6065063f2afc |
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