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Advisor(s)
Abstract(s)
Ao longo do trabalho, procuraremos sublinhar os diálogos interartes e intertextuais que
se desdobram na obra literária e plástica de Irene Lucília Andrade, Guilhermina da Luz e
Teresa Jardim. Ainda que se contextualize, de modo geral, a produção destas três autoras artistas, problematizar-se-á a ecfrásis na escrita poética. É nossa intenção ver os
intercâmbios intersemióticos e os efeitos polifónicos que atravessam as suas criações para
podermos elaborar e concretizar um projeto consentâneo com o Mestrado em Gestão
Cultural.
A Gestão Cultural, área do conhecimento que se tem destacado ao longo dos últimos anos,
permite divulgar inúmeras questões culturais, em geral, e literárias, em particular,
captando variados públicos. Gerir a Cultura no âmbito literário permite manter viva a
memória individual e coletiva de um autor. Neste sentido, propomo-nos destacar a
picturalidade da escrita poética, mas também a plasticidade da escrita, para finalizarmos
com um projeto de divulgação dos diálogos interartes existentes na produção de três vozes
afetas ao sistema literário madeirense e dá-lo a conhecer ao público, através de uma
exposição online.
Throughout the work, we will try to underline the interart and intertextual dialogues that unfold in the literary and plastic work of Irene Lucília Andrade, Guilhermina da Luz and Teresa Jardim. Although the production of these three author-artists is contextualized, in general, the ekphrasis in poetic writing will be problematized. It is our intention to see the intersemiotic exchanges and the polyphonic effects that permeate their creations so that we can develop and implement a project in line with the Master's in Cultural Management. Cultural Management, an area of knowledge that has stood out over the last few years, allows for the dissemination of numerous cultural issues, in general, and literary issues, in particular, capturing different audiences. Managing Culture in the literary sphere allows keeping alive the individual and collective memory of an author. In this sense, we propose to highlight the pictoriality of poetic writing, but also the plasticity of writing, to end with a project to disseminate the existing interart dialogues in the production of three voices related to the Madeiran literary system and make it known to the public, through an online exhibition.
Throughout the work, we will try to underline the interart and intertextual dialogues that unfold in the literary and plastic work of Irene Lucília Andrade, Guilhermina da Luz and Teresa Jardim. Although the production of these three author-artists is contextualized, in general, the ekphrasis in poetic writing will be problematized. It is our intention to see the intersemiotic exchanges and the polyphonic effects that permeate their creations so that we can develop and implement a project in line with the Master's in Cultural Management. Cultural Management, an area of knowledge that has stood out over the last few years, allows for the dissemination of numerous cultural issues, in general, and literary issues, in particular, capturing different audiences. Managing Culture in the literary sphere allows keeping alive the individual and collective memory of an author. In this sense, we propose to highlight the pictoriality of poetic writing, but also the plasticity of writing, to end with a project to disseminate the existing interart dialogues in the production of three voices related to the Madeiran literary system and make it known to the public, through an online exhibition.
Description
Keywords
Gestão cultural Literatura Ut Pictura Poesis Irene Lucília Andrade Guilhermina da Luz Teresa Jardim Cultural management Literature Gestão Cultural . Faculdade de Artes e Humanidades