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Espaço e identidades culturais em CARGO
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Authors
Advisor(s)
Abstract(s)
O objetivo do artigo é apresentar uma análise sobre as identidades culturais
contextualizadas no Caribe a partir do filme Cargo (2017), escrito e dirigido por Kareem
Mortimer. Para isso, iniciamos com breves considerações sobre a produção de identidades
caribenhas a partir de Hall (1990), e sobre a articulação dessas categorias enquanto
posicionamentos a partir de Stam e Shohat (2016). Sobre a crítica a partir da perspectiva
teórica pós-colonial, discutimos noções presentes em Prysthon (2014) e Bhabha (1992,
1998). A análise sobre as continuidades e descontinuidades temporais articuladas no filme
ampara-se no conceito de cronotopo presente em Bahktin (2010) e Cohen (2006). E, de
modo a contextualizar o cinema periférico e caribenho, destacamos alguns pontos
presentes em França (2006) e Hambuch (2015), respectivamente. Cargo examina o
legado da colonização e os efeitos da exploração econômica a partir de imagens que
contrabalançam os estereótipos e clichês a que o cinema mainstream com frequência
recorre para dar conta de contextos periféricos.
The aim of this work is to offer a brief study on Caribbean cultural identities represented in Cargo (2017), a film written and directed by Kareem Mortimer. For that purpose, we start by considering the production of Caribbean identities from Hall (1990), and how these categories are articulated as positionings according to Stam and Shohat (2016). Theoretical frame and criticism from a postcolonial perspective follows Prysthon (2014) and Bhabha (1992, 1998) discussions. The analysis about temporal continuities and discontinuities in the film are based on the notion of chronotope, a concept by Bakhtin (2010) and studied by Cohen (2006). And, in order to contextualize peripheral and Caribbean cinema, we highlight some points present in França (2006) and Hambuch (2015), respectively. Cargo examines the legacy of colonization and the effects of economic exploration from images that balance stereotypes and clichés mainstream cinema often manipulate to account peripheral contexts.
The aim of this work is to offer a brief study on Caribbean cultural identities represented in Cargo (2017), a film written and directed by Kareem Mortimer. For that purpose, we start by considering the production of Caribbean identities from Hall (1990), and how these categories are articulated as positionings according to Stam and Shohat (2016). Theoretical frame and criticism from a postcolonial perspective follows Prysthon (2014) and Bhabha (1992, 1998) discussions. The analysis about temporal continuities and discontinuities in the film are based on the notion of chronotope, a concept by Bakhtin (2010) and studied by Cohen (2006). And, in order to contextualize peripheral and Caribbean cinema, we highlight some points present in França (2006) and Hambuch (2015), respectively. Cargo examines the legacy of colonization and the effects of economic exploration from images that balance stereotypes and clichés mainstream cinema often manipulate to account peripheral contexts.
Description
Keywords
Cinema caribenho Espaço Identidades culturais Kareem Mortimer Caribbean cinema Cultural identities Space . Faculdade de Artes e Humanidades
Citation
Souza, J. (2020). Espaço e identidades culturais em CARGO . Universidade da Madeira. https://doi.org/10.34640/UNIVERSIDADEMADEIRA2020SOUZA
Publisher
Universidade da Madeira