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Os processos de reprodutibilidade nas obras de arte para além do esgotamento artístico: revisitação, citação e inovação
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Abstract(s)
Não querendo tratar-se, exclusivamente de mais uma dissertação sobre a figura mitológica de Orfeu, esta pesquiza procura, através desse signo, evidenciar um padrão de repetição no meio artístico, em especial no âmbito das artes visuais e da poesia.
A repetição é um processo que possibilita a aprendizagem e a correção de erros passados, tendo potencial para se constituir motor de uma evolução, transformando-se assim num ato de criação. Orfeu tornou-se uma charneira a partir da época medieval, charneira que cada corrente artística utiliza para repensar as origens da arte e, particularmente, o estatuto do artista oprimido.
Este processo leva-nos à revista Orpheu, refletindo sobre poetas e artistas lusobrasileiros que usam Orfeu como figura representativa das suas problemáticas e preocupações sociais. Uma ponderação sobre as diferentes representações da figura na pintura, no teatro e na poesia, atravessando vários séculos, permite tirar conclusões sobre a sua importância neste contexto, que não ficam, naturalmente, concluídas com esta pesquisa.
Not wanting to be, exclusively, another dissertation on the mythological figure of Orpheus, this research seeks, through this sign, to evidence a pattern of repetition in the artistic world, especially in the scope of visual arts and poetry. Repetition is a process that makes it possible to learn and correct past mistakes, having the potential to be an evolutionary engine, transforming itself into an act of creation. Orpheus became a hinge from the medieval period, a hinge that every artistic current use to rethink the origins of art and, particularly, the status of the oppressed artist. This process leads us to Orpheu magazine, reflecting on Portuguese-Brazilian poets and artists who use Orpheus as a representative figure of their social problems and concerns. A consideration of the different representations of the figure in painting, theater and poetry, crossing several centuries, allows us to draw conclusions about its importance in this context, which are not, of course, concluded with this research.
Not wanting to be, exclusively, another dissertation on the mythological figure of Orpheus, this research seeks, through this sign, to evidence a pattern of repetition in the artistic world, especially in the scope of visual arts and poetry. Repetition is a process that makes it possible to learn and correct past mistakes, having the potential to be an evolutionary engine, transforming itself into an act of creation. Orpheus became a hinge from the medieval period, a hinge that every artistic current use to rethink the origins of art and, particularly, the status of the oppressed artist. This process leads us to Orpheu magazine, reflecting on Portuguese-Brazilian poets and artists who use Orpheus as a representative figure of their social problems and concerns. A consideration of the different representations of the figure in painting, theater and poetry, crossing several centuries, allows us to draw conclusions about its importance in this context, which are not, of course, concluded with this research.
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Keywords
Orpheu Revisitação Citação Poesia Revista Reprodutibilidade Contexto Revision Citation Poetry Magazine Reproducibility Context Gestão Cultural . Faculdade de Artes e Humanidades