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Criação musical e rituais: imagens de um Quilombo Urbano em Olinda, Pernambuco, Brasil
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Abstract(s)
O mito da cabaça – Igbadu – é um elo de ligação da criação artística com as
raízes africanas e religiosas. Para os músicos, o processo criativo está baseado em
narrativas, mitos e nas raízes religiosas. Este artigo narra a trajetória de um projeto de
filme que tinha como objetivo documentar a cultura e o potencial criativo das novas
gerações de artistas que cresceram em terreiros e regista imagens do primeiro quilombo
urbano de Pernambuco.
The myth of the cabaça is a link between Pernambuco’s local music and its African roots. For musicians, the creative process is grounded in a poetic reality where narratives, myths, and religions often coexist. This paper is about a film´s project that aimed to document the recovering of Pernambuco’s living culture and the creative potential of new generations of artists who have grown in Terreiros and registers images of Pernambucos´s first urban quilombo.
The myth of the cabaça is a link between Pernambuco’s local music and its African roots. For musicians, the creative process is grounded in a poetic reality where narratives, myths, and religions often coexist. This paper is about a film´s project that aimed to document the recovering of Pernambuco’s living culture and the creative potential of new generations of artists who have grown in Terreiros and registers images of Pernambucos´s first urban quilombo.
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Keywords
Música Rituais Quilombo urbano Documentário Music Rituals Urban quilombo Documentary Brasil . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira