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O feminino em Chega de Saudade de Laís Bodanzky
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Orientador(es)
Resumo(s)
Esse artigo compõe uma pesquisa maior, que resultou em uma dissertação de
mestrado, na qual se buscou compreender as representações do feminino contemporâneo
nas obras da cineasta brasileira Laís Bodanzky. Para tanto, as observações foram feitas a
partir das metodologias de Análise de Narrativa, propostas por Cândida Vilares Gancho
(2006), e da Análise Fílmica, proposta por Francis Vanoye e Anne Goliot-Lété (2012).
No presente trabalho, o recorte se faz a partir da análise do filme Chega de Saudade
(2007), com resultados que apontam para uma narrativa que debate, de maneira poética,
o envelhecer da mulher. Trata-se, por fim, de uma obra contemporânea, com enredo
psicológico, que propõe a quebra de paradigmas sociais patriarcais e machistas,
sinalizando para a representação de um feminino possível, sob a ótica de uma cineasta
mulher.
This article is part of a larger research, which resulted in a master's thesis, in which we sought to understand the representations of contemporary femininity in the works of Brazilian filmmaker Laís Bodanzky. To do so, observations were made based on the methodologies of Narrative Analysis, proposed by Cândida Vilares Gancho (2006), and Filmic Analysis, proposed by Francis Vanoye and Anne Goliot-Lété (2012). In the present work, the cut is made from the analysis of the film Chega de Saudade (2007), with results that point to a narrative that discusses, in a poetic way, the aging of women. It is, finally, a contemporary work, with a psychological plot, which proposes the breaking of patriarchal and macho social paradigms, signaling the representation of a possible feminine, from the point of view of a woman filmmaker.
This article is part of a larger research, which resulted in a master's thesis, in which we sought to understand the representations of contemporary femininity in the works of Brazilian filmmaker Laís Bodanzky. To do so, observations were made based on the methodologies of Narrative Analysis, proposed by Cândida Vilares Gancho (2006), and Filmic Analysis, proposed by Francis Vanoye and Anne Goliot-Lété (2012). In the present work, the cut is made from the analysis of the film Chega de Saudade (2007), with results that point to a narrative that discusses, in a poetic way, the aging of women. It is, finally, a contemporary work, with a psychological plot, which proposes the breaking of patriarchal and macho social paradigms, signaling the representation of a possible feminine, from the point of view of a woman filmmaker.
Descrição
Palavras-chave
Feminino Narrativa cinematográfica Narrativa poética Laís Bodanzky Chega de Saudade Feminine Cinematographic narrative Poetic narrative . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Editora
Universidade da Madeira