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O feminino em Chega de Saudade de LaĆs Bodanzky
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Advisor(s)
Abstract(s)
Esse artigo compƵe uma pesquisa maior, que resultou em uma dissertaĆ§Ć£o de
mestrado, na qual se buscou compreender as representaƧƵes do feminino contemporĆ¢neo
nas obras da cineasta brasileira LaĆs Bodanzky. Para tanto, as observaƧƵes foram feitas a
partir das metodologias de AnĆ”lise de Narrativa, propostas por CĆ¢ndida Vilares Gancho
(2006), e da AnĆ”lise FĆlmica, proposta por Francis Vanoye e Anne Goliot-LĆ©tĆ© (2012).
No presente trabalho, o recorte se faz a partir da anƔlise do filme Chega de Saudade
(2007), com resultados que apontam para uma narrativa que debate, de maneira poƩtica,
o envelhecer da mulher. Trata-se, por fim, de uma obra contemporĆ¢nea, com enredo
psicolĆ³gico, que propƵe a quebra de paradigmas sociais patriarcais e machistas,
sinalizando para a representaĆ§Ć£o de um feminino possĆvel, sob a Ć³tica de uma cineasta
mulher.
This article is part of a larger research, which resulted in a master's thesis, in which we sought to understand the representations of contemporary femininity in the works of Brazilian filmmaker LaĆs Bodanzky. To do so, observations were made based on the methodologies of Narrative Analysis, proposed by CĆ¢ndida Vilares Gancho (2006), and Filmic Analysis, proposed by Francis Vanoye and Anne Goliot-LĆ©tĆ© (2012). In the present work, the cut is made from the analysis of the film Chega de Saudade (2007), with results that point to a narrative that discusses, in a poetic way, the aging of women. It is, finally, a contemporary work, with a psychological plot, which proposes the breaking of patriarchal and macho social paradigms, signaling the representation of a possible feminine, from the point of view of a woman filmmaker.
This article is part of a larger research, which resulted in a master's thesis, in which we sought to understand the representations of contemporary femininity in the works of Brazilian filmmaker LaĆs Bodanzky. To do so, observations were made based on the methodologies of Narrative Analysis, proposed by CĆ¢ndida Vilares Gancho (2006), and Filmic Analysis, proposed by Francis Vanoye and Anne Goliot-LĆ©tĆ© (2012). In the present work, the cut is made from the analysis of the film Chega de Saudade (2007), with results that point to a narrative that discusses, in a poetic way, the aging of women. It is, finally, a contemporary work, with a psychological plot, which proposes the breaking of patriarchal and macho social paradigms, signaling the representation of a possible feminine, from the point of view of a woman filmmaker.
Description
Keywords
Feminino Narrativa cinematogrĆ”fica Narrativa poĆ©tica LaĆs Bodanzky Chega de Saudade Feminine Cinematographic narrative Poetic narrative . Faculdade de Artes e Humanidades
Citation
Publisher
Universidade da Madeira