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O par Pierrot/Arlequim em Almada Negreiros
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Autores
Orientador(es)
Resumo(s)
This study examines the manifestations of two figures from the
commedia dell'arte, Pierrot and Harlequin, in the oeuvre of
Almada Negreiros. Owing to the diversity of their manifestations,
these figures form a particularly useful corpus for studying
interart relations in the creations of the Portuguese artist. The
manifestations of Pierrot and Harlequin across different artistic
genres are therefore compared in order to distinguish them
according to the specificities of each art form. This article is
structured into chapters that focus primarily on each of these
genres, seeking to describe a fragmentation of the artist’s oeuvre
in accordance with to the intra-artistic singularities in the
interpretation of the Pierrot/Harlequin theme. The results call
into question the conceptualization of the disappearance of
interart boundaries in Almada’s work — as exemplified by the use
of the term “Total Art” in Almadian studies.
Descrição
Palavras-chave
Almada Negreiros Pierrot Harlequin Total art Interart boundaries . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Editora
Universidade da Madeira. Faculdade de Artes e Humanidades (FAH)