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O par Pierrot/Arlequim em Almada Negreiros

datacite.subject.fosHumanidades::Artes
dc.contributor.authorCarvalho, João Pedro
dc.date.accessioned2026-03-17T15:02:56Z
dc.date.available2026-03-17T15:02:56Z
dc.date.issued2025
dc.description.abstractThis study examines the manifestations of two figures from the commedia dell'arte, Pierrot and Harlequin, in the oeuvre of Almada Negreiros. Owing to the diversity of their manifestations, these figures form a particularly useful corpus for studying interart relations in the creations of the Portuguese artist. The manifestations of Pierrot and Harlequin across different artistic genres are therefore compared in order to distinguish them according to the specificities of each art form. This article is structured into chapters that focus primarily on each of these genres, seeking to describe a fragmentation of the artist’s oeuvre in accordance with to the intra-artistic singularities in the interpretation of the Pierrot/Harlequin theme. The results call into question the conceptualization of the disappearance of interart boundaries in Almada’s work — as exemplified by the use of the term “Total Art” in Almadian studies.eng
dc.identifier.doi10.34640/univmadeiracjhs1carvalho1
dc.identifier.issn3051-8059
dc.identifier.urihttp://hdl.handle.net/10400.13/7648
dc.language.isopor
dc.peerreviewedyes
dc.publisherUniversidade da Madeira. Faculdade de Artes e Humanidades (FAH)
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectAlmada Negreiros
dc.subjectPierrot
dc.subjectHarlequin
dc.subjectTotal art
dc.subjectInterart boundaries
dc.subject.
dc.subjectFaculdade de Artes e Humanidades
dc.titleO par Pierrot/Arlequim em Almada Negreiros
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage113
oaire.citation.startPage93
oaire.citation.titleCommentarium: Journal of Humanities Studies
oaire.citation.volume1
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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