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Authors
Advisor(s)
Abstract(s)
The concept of visibility has become a problematic one as hypervisibility gave rise to new forms of
opacity that are formed not through secrecy but by its opposite, pan-visibility. Paradoxically, by amplifying visibility, media create new forms of invisibility. An analysis of visibility will provide us
with a precise perspective how these processes occur. In this paper, we suggest three lines of empirical
and theoretical investigation in the topic of visibility: a sociological (symbolic) axis; a collective (publicness) axis; and a technological (media) axis. Since the social category of visibility is a central aspect of
communication and media studies, we will be interrogating it through three distinct ways: visibility as
a field whose symbolic determination results in the constitution of different regimes of visibility; visibility as a pivot-concept of publicness since it is this public quality that transforms proto-visibility into a
full accomplished visibility; and, third, the transmutations and dangers stemmed from media’s production of visibility. Each one of these principles highlights different concepts: in the field of visibility we
need to address inter-visibilities; in public visibilities we need to address proto-visibilities in verge of
becoming full-visibilities through the synchrony of collective attention; and in mediated visibility it is
imperative to deal with super-visibility as an extreme effect of an intense modulation perpetrated by communication technologies.
Description
Keywords
Visibility Visual Publicness Media . Faculdade de Artes e Humanidades
Citation
Mateus, S. (2017). Visibility as a key concept in communication and media studies. Estudos em Comunicação, 25(2), 109-124.doi: 10.20287/ec.n25.v2.a08
Publisher
LABCOM.IFP, Universidade da Beira Interior