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Abstract(s)
O nosso artigo reflectirá sobre a busca de identidade assumida pelos narradores dos dois primeiros romances de Milton Hatoum: Relato de um certo oriente e Dois irmãos.
Os narradores são identidades dilaceradas que buscam reconstruir as ruínas do seu mundo a partir do resgate de lembranças do passado. Ambos conseguem efectuar um trabalho de catarse que se inscreve na tradição de Xerazade: narrar é diferir a morte. Ao dedicarem-se à escrita, os dois narradores reconstroem a sua subjectividade criadora.
This paper reflects on the search for identity assumed by the narrators of Milton Hatoum’s first two novels: Report of a Certain Orient and Two Brothers. The narrators are lacerated identities that seek to rebuild the ruins of their world by rescuing memories from the past. Both manage to carry out a work of catharsis that is part of the Scheherazade tradition: to narrate is to defer death. By devoting themselves to writing, the two narrators recreate their creative subjectivity.
This paper reflects on the search for identity assumed by the narrators of Milton Hatoum’s first two novels: Report of a Certain Orient and Two Brothers. The narrators are lacerated identities that seek to rebuild the ruins of their world by rescuing memories from the past. Both manage to carry out a work of catharsis that is part of the Scheherazade tradition: to narrate is to defer death. By devoting themselves to writing, the two narrators recreate their creative subjectivity.
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Keywords
Milton Hatoum Memórias Xerazade Escrita Subjetividade Identities Memories Scheherazade Writing Subjectivity . Faculdade de Artes e Humanidades
Citation
Identidades fragmentadas na ficção de Milton Hatoum / Celina Martins. - In: Pensardiverso: Revista de Estudos Lusófonos. - Funchal: Universidade da Madeira; CIERL. - ISSN 1647-3965. - N. 6 (2018), p. 70-86.