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Trauma, teatro Noh, posguerra nuclear y demonios en el filme Onibaba (1964) de Kaneto Shindo
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Resumo(s)
El oscuro y expresionista largometraje Onibaba (1964) de Kaneto Shindo, se presenta como un modelo cinematográfico de una generación de artistas japoneses que compartieron todos el sufrimiento, miseria, miedo y desolación de la Segunda Guerra Mundial. Además de dicha película comprende aspectos del teatro Noh y de la mitología fantástica de su país, como es el oni -demonio- en distintos contextos.
Kaneto Shindo's dark and expressionist feature film Onibaba (1964) is presented as a model of a generation of Japanese artists who shared all the suffering, misery, fear and desolation of the Second World War. In addition to this film includes aspects of the Noh Theater and the fantastic mythology of his country, as is the oni demon- in different contexts.
Kaneto Shindo's dark and expressionist feature film Onibaba (1964) is presented as a model of a generation of Japanese artists who shared all the suffering, misery, fear and desolation of the Second World War. In addition to this film includes aspects of the Noh Theater and the fantastic mythology of his country, as is the oni demon- in different contexts.
Descrição
Palavras-chave
Teatro Noh Japón Mitología fantástica Cine Posguerra nuclear Kaneto Shindo Noh theatre Japan Fantastic mythology Cinema Nuclear postwar . Faculdade de Artes e Humanidades
Contexto Educativo
Citação
Trauma, teatro Noh, posguerra nuclear y demonios en el filme Onibaba, 1964, de Kaneto Shindo [Recurso eletrónico] / Pau Pascual Galbis. - In: Cinema & território. - Funchal. ISSN 2183-7902. - Nº 2 (2017), p. 35-49.
Editora
Universidade da Madeira